All HOLBEIN, Hans the Younger Oil Paintings

German painter (b. 1497, Augsburg, d. 1543, London).
 
       VORHERIGE  13  14  15  16  17  18  19  20  21  22   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
HOLBEIN, Hans the Younger Portrait of Jane Pemberton oil painting


Portrait of Jane Pemberton
Gemälde IDENTIFIZIERUNG::  52046 		Portrait of Jane Pemberton
c. 1540 Vellum mounted on playing card, diameter 5,3 cm
c. 1540 Vellum mounted on playing card, diameter 5,3 cm
   
   
     
HOLBEIN, Hans the Younger The Solothurn Madonna oil painting


The Solothurn Madonna
Gemälde IDENTIFIZIERUNG::  52189 		The Solothurn Madonna
1522 Limewood, 140,5 x 102 cm
1522 Limewood, 140,5 x 102 cm
   
   
     
HOLBEIN, Hans the Younger St Barbara oil painting


St Barbara
Gemälde IDENTIFIZIERUNG::  52193 		St Barbara
1516 Wood, 150 x 47 cm
1516 Wood, 150 x 47 cm
   
   
     
HOLBEIN, Hans the Younger Signboard for a Schoolmaster oil painting


Signboard for a Schoolmaster
Gemälde IDENTIFIZIERUNG::  52593 		Signboard for a Schoolmaster
1516 Pine panel
1516 Pine panel
   
   
     
HOLBEIN, Hans the Younger Diptych with Christ and the Mater Dolorosa oil painting


Diptych with Christ and the Mater Dolorosa
Gemälde IDENTIFIZIERUNG::  63706 		Diptych with Christ and the Mater Dolorosa
1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious
1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious
   
   
     
       VORHERIGE  13  14  15  16  17  19  20  21  22   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     HOLBEIN, Hans the Younger
     German painter (b. 1497, Augsburg, d. 1543, London).

KONTAKTIEREN Sie UNS
Xiamen Hat China Großhandelsöl, das Bahrenstab Großhandelsrahmen Anstreicht, den Spiegel Formt, Ausgestreckte Gemälde Eingerahmt